The exploits of Norse warrior Ragnar Lothbrok and his kin in hit TV drama Vikings has brought fresh interest to the myths and figures of the early medieval world. As the final series continues, Professor Howard Williams explores how the show’s sweeping ambition has tackled historical issues of the Viking era while creating an immersive world – one with more reality than you might think…
From 2013 to the sixth and final series, now airing, History Channel’s Vikings has brought a hit multi-season historical drama about the early Viking world to international audiences. Following the adventures of the legendary figure Ragnar Lothbrok (or Loðbrók) and his sons including Bjorn, Ubba and Ivar, writer Michael Hirst portrays a 9th-century world of seaborne conflict, far-flung connections and family feuding on an unprecedented scale. Despite numerous films over the years, occasional documentaries and an ongoing rival BBC drama series The Last Kingdom, nothing can compare in scale and duration to Vikings in bringing the early medieval world to global television viewers.
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